True Freedom in Lawrences Aaron’s Rod Essay -- essays research papers

They had got outside the go of so-called gentlemans gentleman life. Outside the horrible, stinking castle of homo life. A bit of true, limpid freedom. Florence, Aarons retinal rod) Aarons Rod concludes the central theme that D. H. Lawrence took up in The White Peacock, The Trespasser, The Lost Girl, and Mr. Noon the idea of true human freedom. What makes Aarons Rod exceptional is the way it transforms the notion of love, regarded as the savior of human psyche from the tyranny of genial obligations. In his previous novels, Lawrence depicted characters that are cater up with their forced ways of social life. They are helplessly seeking a relationship that offers spontaneity, in harmony with their inner self, the depth of their soul. in that respect is always only one answer to the question How? and that is love. They break the animated social bonds and make new love relationships with varying results from a genial marriage (The Lost Girl) to suicide (The Trespasser). Contrar ily, Aarons Rod takes a cables length that is overtly slanted against love as the true path of human freedom. It challenges the very notion of love as something consistent with the needs of the human soul. It even poses the question what is true love? The first three chapters distinctly poise Aarons Rod against the mechanical mode of life in an more and more industrialized society. Aaron Sisson is the Secretary at a colliery. He has to work money box late in the evening and has an unsatisfactory marriage. His reaction to his suffocating activated life is seen on Christmas Eve when he goes to bring his daughters some chiffonierdles. quite of returning home, Aaron spends the night at the Bricknells. He tells Josephine, My wife has made up her mind she loves me, and shes not going ... ...he way one of them becomes an bird of Jove and the other its prey. Secondly, does the inner, deeper self of the man, one that enables him to become himself, survive the chains of social bondag e? Lawrence is optimistic here just as he has been in The Lost Girl and The Rainbow. The reader sees Aaron shocked at the splitting of his transverse flute in a bomb blast made by the anarchists. On Lillys asking, he throws the broken rod into a stream. Lawrence speaks through Lilly the roughly precious words Itll grow again. Its a reed, a water-plant. You cant kill it. Mans soul is always living, breathing, and time lag for the vital ecdysis that gives it the power to come out and rule itself. In Lillys words, We must either love or rule. And once the love-mode changes, as change it must, for we are worn out and becoming evil in its persistence, then the other mode will take place in us.